“Like Distant Thunder: Canada’s Bison Conservation Story”

After years of work, I’m pleased to announce the publication of my book Like Distant Thunder: Canada’s Bison Conservation Story!

Those who know me well know that I am always eager to share stories of bison history. Like Distant Thunder gathers together stories of bison conservation in what is now Canada, with a focus on the origins of the herds now protected by Parks Canada. These are tales full of twists and turns, successes and mistakes, and of course people with amazing names.

Much has been said about individual bison herds like Yellowstone, but I feel the stories north of the Medicine Line haven’t been told nearly as much. The story of wood bison in particular, the lesser-known but larger of the two subspecies of North American bison, is hardly discussed by historians. I’ve also come to learn a lot about what came to be known as the Pablo-Allard herd and its importance. An estimated 80% of plains bison today are descended from Pablo-Allard stock via either Elk Island or the National Bison Range in the US. Elk Island National Park has played an important role in bringing back both plains bison and wood bison from the brink of extinction. If you’ve seen a bison in Canada today, odds are they had an ancestor who passed through Elk Island. What came to be known as the Pablo-Allard herd initially began with the capture of a small number of bison calves by Indigenous men (Samuel Walking Coyote, or possibly/probably Peregrine Falcon Robe) in what is now Montana. These bison were raised by Metis men (Michel Pablo and Charles Allard), who expanded the herd until it was the largest and most genetically diverse bison herd in all of North America. Since 1907 they have been protected by Canadian national park staff. Getting these bison to Canada? Well, that’s an exciting story that deserves to be its own movie.

While studying at Carleton University I became particularly interested in the history of photography and the use (and misuse) of images of the past. Because of that, I was very conscious of my choice of images to illustrate this text. I’d like to draw your attention to the following images:

Garretson’s sketch, drawn from memory, of a massive herd of bison. We have no photographs of the herds of tens or hundreds of thousands of bison, but sketches made later by eyewitnesses give us a glimpse of what it would have been like to see an “ocean” of bison.
Photographs taken after one of the last buffalo chases of the 1880s, right at the cusp of the collapse of bison populations. I reproduce one photo of an absolutely massive bull shows buffalo running horses in the background. The fact that it’s in black and white disguises the fact that the snow is stained by blood until you go looking for it. The image is so crisp you can see the texture of the fur on his hump.
A series of stereographs from the Great Buffalo Roundup of 1907. Stereographs are paired photographs that have a 3D effect when viewed through a reader. I’ve used them in a photo essay breaking up the narrative of the book into two parts: pre-1900s, and post-arrival in Canadian national parks. I’ve paired the stereographs with excerpts from contemporary newspaper accounts of the roundup with the intention of painting an evocative picture of the event in both word and image.
My current favourite bison photo of all time is a postcard from Buffalo National Park in the first decades of the 20th century. The gaze of this young bull as he strides towards the camera is incredibly intense.
This photo of bison trails at Elk Island National Park, taken from a helicopter during the annual aerial ungulate census. Bison like to walk one in front of the other, particularly in deep snow. These trails remind me very much of veins under the skin, some sort of climbing vine, or the tributaries of a river. I thought it symbolic in some way if the many journeys bison have taken and continue to walk, which is why it’s one of the final photographs that appear in the book.

One of the things I find most fascinating about the history of bison conservation is how very nearly it came to failure on multiple occasions. All bison herds today (plains and wood bison) are descended from about 7 discrete populations: wild-caught and raised herds (Bedson/McKay, Buffalo Jones, Goodnight, Pablo-Allard, a handful of others) and wild herds that had national parks formed around them (Wood Buffalo National Park and Yellowstone National Park). When we say that bison were on “the brink of extinction”, we really mean it. It’s only due to a lot of hard work that bison still live in the world today.

I also wanted to highlight the continuous role of Indigenous people in bison conservation all the way through to today. Too often textbooks only speak of First Nations in their introductions and first chapters. From Walking Coyote to Michel Pablo to signatories of the Buffalo Treaty, Indigenous people have continued to protect bison through to the present day. The importance of bison to different Indigenous cultures isn’t a thing of the past; it’s an ongoing relationship that still informs the activism and actions of people today.

When I speak about this history in brief with visitors, I often say that many people know a little bit about the history of bison. They know that bison were important to First Nations people, that there used to be a lot of them, and that bison nearly went extinct. What I want to do with this work and in my interpretation is to fill in a bit of detail in that picture, but also to tell the sequel to the story that people kind of half know: what’s happened to bison since their historic lows of the 1890s, and how they came to be here on the landscape today.

Like Distant Thunder has been published by Parks Canada. Because it’s a government of Canada publication, it is of course available in both official languages. It was expertly translated into French by Claudine Cyr from the Translation Bureau. I swear some of the passages are even more evocative in French than in my English! If you are a French reader I highly encourage you to read that version as well.

We currently an to print Like Distant Thunder in the fall, but digital versions are currently available for free on Elk Island National Park’s website. Below are the download links. I recommend the PDF version on desktop computers and tablets, for printing, and to admire the beautiful layout. The PDF versions are how I intended this book to be read. There are also HTML versions, which are for accessibility: good for visually impaired folks using readers, or if you are reading it on your phone and would find HTML easier to read.