Postcards were not always mass produced. In the early twentieth century, one could print Kodaked images onto postcard stock and create one’s own unique postcard to mail off to friends and relations. The University of Alberta Archive’s Peel’s Prairie Provinces has just recently doubled its collection of early Western Canadian postcards to nearly 30,000 examples, some entirely unique. I had the opportunity last summer to examine some of the ones that weren’t yet digitized. Among the picture postcards of Banff’s main street, parades at the Calgary Stampede, European pioneers in Saskatoon, and everything in between, I ran across a series of privately produced postcard images that I find incredibly intriguing. They are a set of photographic postcards that have been cut from a photo album – the backs are blank, glued to pieces of black paper from the album sheets. The same people appear in multiple images, but aside from a few telling details and a few names which may or may not be jokes or pop culture references I cannot understand over a century later, these images are now relatively anonymous. This photoset may not even be complete. I confess I was scanning them alongside about 300 other images over the course of a single day and I only noticed that they were from the same grouping later on when I began looking at them more deeply for my major research essay. I also only examined a few boxes of cards which had been separated out by the archivist for having explicitly Aboriginal subjects, so it is possible that there are other postcards from these photographers in the Peel’s Prairie Provinces Collection, yet to be digitized. I was initially hoping to incorporate them into my major research project, but they have far more in common with anonymous photo album pages than they do postcards, as fascinating as they are. Ah, well, a project for another time!
I have placed these images in an order that made sense to me, placing them either in what amounts to a sequence, or beside images that share the same photographic subjects for ease of comparison. Do not ascribe meaning to the order as it was imposed by me. I now invite you to consider these photographs for yourself. I have included a few preliminary observations, but I welcome any further commentary from my readers. Maybe we’ll find the proverbial smoking gun that identifies these people. Please click the images to enlarge them and see my annotations. (Note: The strings of numbers beginning in “PC” (“post card”) are their Peel’s Prairie Provinces call numbers, so you may cite them or look them up when they finally become digitized.)
PC030189 – “Accepting Friendship” The man on the right appears in multiple photographs, as does the man on the left, identified as “Calf Robes” in another image. Notice the ax on the ground between them – perhaps a reference to the expression “burying the hatchet”?
PC030240 – “The blow almost killed Father” A family man, eh? This implies that the author of the messages on these images – possibly the photographer – is that man’s daughter or son, or that the image was sent to the children of the “Father” and so the author of the note is writing from the children’s perspective, their potential audience. This image may also be playing to “Indian” stereotypes – fighting with tomahawks. It’s interesting that the “Sarcee”(?) man on the left (Calf Robes?) is a full participant in these photographic vignettes. He also appears to be wearing dancing/ceremonial regalia – the war bonnet, the beaded jacket and moccasins and the bells(?) on his belt are not everyday wear.
PC030238 – “A original Hair Cut” A faux depiction of scalping. The posing of this scene may be influenced by popular images of missionary martyrs… or “Father” is just praying prior to his “death”.
PC030247 – “Calf Robes resisting capture” Because this is from the 1920s at the latest, I’m going to assume that that’s a real gun. Calf Robes does seem to be holding his own, though. Is “Calf Robes” his real name? Or is he playing a character just as much as the other men in the scene are? These first four photographs all seem to have been taken on the same day with the same backdrop (tent, light snow on the ground).
PC030250 – “Good bye sweet day” The tables have turned. That doesn’t seem to be “Calf Robes” holding the gun, though. He appears in multiple following images. The man cheering in the background with the ribbed bone bead work on his shirt is also a recurring figure.
PC030242 – “Gone but not forgotten” Apparently the man didn’t escape. The man holding the rifle in this shot is not the same man holding the gun in the previous “Good bye sweet day” image, but the cheering man.
PC030237. This man appears in multiple images, as does his beaded robe/blanket.
PC030195 – “Tis only the “Brave” that deserve the fair.” I suspect that this caption is a quotation from some poem or song (I think “None but the brave deserve the fair” is an expression), and that they are creating a pun. The writer put “Brave” in quotation marks, drawing attention to the play on words: brave as in courageous but also “brave” as in “native warrior.”
PC030191 – “Spencer & Kipp” Once again, are “Spencer and Kipp their real names? Or is this another reference I don’t understand? These two figures appear in several other images, as does that distinctively beaded robe.
PC030246 These are the two men from previous images – whom I have called “Father” and “the Scot”, wearing the feather headdresses and the robes of the Aboriginal participants. They may also be striking stoic portrait poses from paintings of “Indians.”
PC030251 – “Black + White or A scot in Indian garb.” This image may have been taken immediately after the previous one, and definitely on the same occasion. (Whose leg is that on the left? Possibly “Father’s”.) It is possible that these two images were taken with two separate cameras, considering the quality of some of the images (some more grey in tone, like this one, and others lighter and more sepia) and the fact that several other photographs show “Father” holding a brownie camera, meaning that there were two cameras present.
PC030276 These two ladies wear what look to me like very Edwardian outfits, particularly the very large hats which were only popular for about a decade until 1914 or so. As a side note, I would like to point out the fact that all three people in this portrait are wearing feathers on their heads. The man in the middle is definitely wearing ceremonial/dancing regalia: bells are not worn on a daily basis.
PC030194 – “Mrs. Mayfield’s Baby” Note the two ladies from the previous image having their photograph taken in the background, likely taken on the same occasion because they are wearing the same outfits. This photograph also confirms that there were two cameras at play. This photo series may only be the results of one of those Kodak Brownies, though. Note that cameras were not held to the eye – you looked through the viewfinder from up above and hold the camera at waist height.
PC030241. This image really set the tone for me as I looked at the rest of the photographs in the series. These two men are having fun, being ridiculous and out of place.
PC030244. This wagon also appears in the previous photograph. That man with the ribbed bone shirt also appears in earlier photographs (“Good bye sweet day” and “Gone but not forgotten.”) I also have to ask myself what they are doing there – and where “there” is. Are they tourists just out on the town, wanting to be photographed with some “real Indians”? The posture of the man with the pipe (“Father”) makes me uneasy, especially with the other man standing behind the child and turning his attention to the baby, holding his or her hand for support.
PC030190 – “Mr & Mrs Muski” I am unsure if “Muski” is an Edwardian pop culture reference, or the woman’s name. If the latter, the “joke” is likely to be found in identifying the man as her husband. Note that the man on the right holds a Kodak Brownie camera under his left arm.
PC030199 – “Susie” The fact that this woman is named leads me to believe that these “tourists” knew some of the people in these photographs, but I could be mistaken. This photograph also made me quite excited because she is standing next to a window with a newspaper prominently displayed. I hoped to use it to date the image. It says: – “LANDSLIDE , Saturday February 25th, 9am.” I haven’t been able to find which newspaper this is; unfortunately, the name of the paper is not in frame. I was hoping that the landslide it refers to was the infamous Frank Slide, but that happened in April, not February. However, there were only four years between 1895 and 1920 in which February 25th fell on a Saturday, so this particular photograph could have been taken in 1899,1905, 1911, or 1922, though judging by what the white women were wearing in other photos in this series I’d say that the middle two dates were most likely. As a side note, I also find the shadow of the photographer in this image slightly eerie. Who/what is Susie looking at?
PC030200 – “Susie’s blind husband” Again, these photographs were taken on at least two separate occasions: Susie is pictured again here, but in a completely different outfit, though possibly wearing the same beaded belt. I am intrigued by the fact that Susie appears to be standing arm in arm with the white man in the centre. I believe that the caption is correct and the man on the left is blind, judging by the way his gaze does not meet the camera. If he is blind, it is entirely possible that he would have been a distinctive enough individual to record. How many blind men lived on the prairies circa 1910? Susie also appears to be wearing dress moccasins (heavily beaded, unlike in the prior image of her taken in town) and what may be (judging by the texture) a beaded shirt. She holds her plaid blanket in one hand instead of using it as a shawl as she did in the prior image. Perhaps this photograph was taken when she was dressed for a special occasion.
PC030248 – “The toiler?” That question mark is very telling and may be playing into stereotypes of “Indians” as inherently lazy, despite all of the evidence to the contrary. Some of these photographs were evidently taken in a small town, perhaps the one visible in the background of several other shots (with the grain elevator). Maybe this photograph was even taken later in the day from the first “Susie” photograph, judging by the location and the length of the shadows.
PC030193 – “Age 93 Bull Head’s Squaw Chief of the Sarcees” Many postcards depict exceptional individuals, particularly the elderly. I do find it disturbing that we cannot see her face, even though the lighting in the image would otherwise indicate that we could.
So, in summary: these photographs were taken on at least two occasions, as evidenced by the same figures appearing at least twice in different outfits and the presence/lack of snow on the ground. These photographs were likely taken South of Calgary, as one of the figures is identified as “Sarcee” (Tsuu T’ina); that is, of course, if the writer identified the band correctly. The photographs likely date from circa 1899-1922, but are more likely from 1905 or 1912, when gigantic Merry Widow hats were popular. There were two photographers present, but these photographs may have only come from one of their cameras. I am unsure of the relationship between the people in the photographs. Why do “Calf Robes” and the others play along in staging scenes of violence? Is “Susie” truly on a first name basis with the photographer and the man she stands arm-in-arm with? Are these white folks tourists, locals visiting Tsuu T’ina friends, or the family of an Indian agent with political power over these people? Furthermore, if these photographs were all taken by the same person, there may be a (sixth?) person in the party who is never pictured because they are always behind the camera and not in front of it.
If you are under the age of thirty and went through the Canadian school system, you were probably taught not to use the word “Indian” when referring to the indigenous peoples of Canada or the United States. “Indians” are people from South Asia, and using the word “Indian” here in North America, and Canada in particular, seems outdated and conjures to mind the historic uses of harmful stereotypes. It’s happened a few times in front of me: older folks – often Americans but not always – visiting historic sites or attending conferences here in Canada will casually use the term “Indian” … and you can see a bunch of the Canadians in the room, particularly those of the younger generation, hold back their flinches and look awkwardly at each other. However, while I wish it were as straightforward as simply saying “don’t call them Indians!”, it isn’t easy to find an alternative – and some people don’t want to, for both good and bad reasons.
Words are loaded with meaning and implications, and even the idea of having an overarching term that purports to refer to indigenous peoples of the Americas as a whole is incredibly problematic. Here is a roundup of all of the common questions I have heard asked about choices of terminology and what I believe are issues you need to be aware of before you use any of them. Many of these are questions and discussions I have had at museums with visitors, with undergraduate students, with young collège students in France, with friends, with visiting scholars, and so on. As is usually the case with thorny issues, there is no simple answer.
Disclaimer: I am a relatively young Canadian woman who identifies as being of European descent: i.e., I am a young(ish) white Canadian woman. Take everything I say with a grain of salt as I am someone speaking from a settler community about people I respect but cannot speak for. I welcome any questions, corrections, expansions, and opinions.
“What’s wrong with the word ‘Indian’? They use it all the time in movies!”
“Indian”, at its root, is based on a misconception. In 1492, Columbus sailed the ocean blue, etc., etc., ad nauseam, thought he had stumbled across India when in fact he had landed in the Caribbean, killed a bunch of people, left chaos in his wake, and went on to serve as a “heroic” symbol for European exploration and the discovery of a “New World” … which had already been “discovered” and occupied by millions of people before him but who apparently just don’t count.
Early European explorers and settlers thought that these non-European people needed to be given a name. Their own names were apparently no good: that would involve talking to them, acknowledging them, and attempting to pronounce non-European words! It really was just easier for explorers and settlers to refer to and think of them as a homogenized group: they are essentially the same people. Over time (and I acknowledge that I am generalizing here), “the Indian” grew in the imaginations of Europeans and European settlers into a very specific being – who wore a feathered headdress, smoked “peace pipes” but was a fierce and savage warrior. “The Indian” probably rode horses, screeching and whooping, and only spoke broken English if he spoke at all. The word “Indian” is inextricably tied to these stereotypes in the minds of many people even today.
Just because a word has cultural currency (i.e., you hear it in common use) doesn’t make it inoffensive. Case in point: the once common “n-word”, which I dare not even type, was once used quite frequently throughout the United States and likely elsewhere but is now incredibly considered inflammatory, blatantly racist, and offensive. Was the “n-word” ever used in a non-derogatory manner? I doubt it, but it is definitely not a word fit for polite or even impolite society today. My point is that simply because a word was heard all of the time doesn’t mean it isn’t disrespectful.
Nevertheless, the word “Indian” is still in common use throughout the United States in particular. American scholars still use it, apparently unselfconsciously, though it is very unlikely that you will see Canadian publications use the term without clarifying or identifying it as a quotation from a historical text. The Smithsonian Institution seems to favour the term “American Indian“, but as far as I am aware most Canadian scholars eschew the term, and recent works like Daniel Francis’ The Imaginary Indian, Paige Raibmon’s Authentic Indians, or Thomas King’s The Inconvenient Indian only use these terms after defining them not as reflections of actual people but as an idea that others hold about them. If the word “Indian” appears at all in these works, they appear in historical quotations or between scare quotes and refer to a specific concept and rarely if ever to refer to a group as old “Cowboy and Indian” Westerns once did.
Great. So why do many people, including respected American historical institutions and government bodies, continue to use the word “Indian”? I can’t tell you for sure. The thing you have to remember when using these terms is that these debates are also generally happening among Euro-Canadians and Euro-Americans. Deciding unilaterally that “Native American” is a better term than “Indian” because it makes white people feel better and trying to impose that word without the consent of the people it actually applies to also isn’t cool. I have heard some older folks say that they’ve been called an “Indian” all of their lives and they identify with it and prefer it – nobody can take that identity away from them. There is a lesson in here somewhere.
Edit: I should also mention that “Indian” is also a legal term in both the United States and Canada, designating a certain status in relation to the state. For more information on this rather convoluted legal concept and the differences between the two countries, see Thomas King’s The Inconvenient Indian.
“Isn’t this just political correctness run amok? Aren’t there better things to worry about?”
No. Well, yes, there are other issues to worry about. However, names have power. They are important. What you are called by others and what you call yourself are elements of your identity. Having control over what you are called is incredibly important and these terms do have certain implications – and in the case of the term “Indian”, many negative connotations are evoked. These words are not all synonyms. “Indians”, for example, are seen as relics of the past or even mythical creatures; the endless debates (that many are shocked are still happening in 2013) over the inappropriate and racist nature of “Indian” Hallowe’en costumes confirms this view. The stereotypical “Indian”, as a dead or mythological being from the past, is not perceived as being able to co-exist with the modern present and is thus frequently invisible to the wider North American society; if you aren’t a part of modern Canada/America and/or are mythological, you cannot agitate for rights.
Yes, there are other important issues yet to be tackled in these communities today, but that doesn’t diminish the necessity of little changes.May I also direct you to a very articulate explanation of why the “little things” people need to just “get over” are in fact hurtful and extremely harmful, courtesy of blogger Adrienne K. at Native Appropriations?
“Okay. What else can I call them? What about ‘aboriginal’?”
This is a term that gets thrown around a lot and is generally considered acceptable but not ideal. It simply means “original to a place,” which sounds about right. However, it is still an incredibly general term. Often, conscious of the fact that “Indian” is a less acceptable word now, people will simply use “Aboriginal” in the same way that the word “Indian” was used previously, without thinking more deeply about the subject. Generalized words are useful for making sweeping statements and discussing broad policies. They have their uses, but are also incredibly problematic because using the word “Aboriginal” (or “Indian” or other terms discussed below) assume that there actually is one large group that have enough in common to be referred to with one word, which many have argued is not the case. Having one word ignores huge differences in language, culture, and history in the Americas, and negates historical divisions and conflicts between the groups encompassed by this word. There may be far bigger cultural, linguistic, and historical differences between, say, the Inuit in Nunavut and the Iroquois near New York, than between Castillians in Spain and Muscovites in Russia. In the latter case, is it still useful to refer to both as “white”/”European” without troubling the terms a bit? What, specifically, do they have in common?
However, some “Aboriginal” people do see a political advantage to be had in solidarity, and that one of the things that “Aboriginal” peoples have in common is the fact that they have been discriminated against for generations under the collective term “Indian”. Because they have suffered under a collective term, they can perhaps find some usefulness in mobilizing under a collective term as well.
As a side note, “aboriginal” is awfully close to “aborigine”, which has been used pejoratively in Australia for many years and I am told is on par with the “n-word” in the States… so if you use it with an Australian present you may get some funny looks, if not worse.
(Edit: It has also been drawn to my attention that “Aboriginal” is also used as a collective umbrella term by some Canadian organizations to refer to, collectively, First Nations, the Inuit, and the Métis.)
“What about ‘indigenous’?”
Some people use this term to refer to native peoples of a region in many colonial states across the globe, and is essentially defined as a person (or animal, or thing) that is native or born of an area. This term is not limited to North America and is often used to contrast those who are native to a region from European settlers or colonizers. It can be a useful term, but often is used to define contrasts and can gloss over differences in radically different historical and cultural situations. Usually, when you use the word “indigenous”, it is because they are being discussed in contrast with European colonists, so you are almost defining people by what they are not. Why not call them what they call themselves? Nevertheless, it can be a useful, if general term. Be conscious of your purpose in using it.
“What about ‘Amerindian’?”
This portmanteau (“American” + “Indian”) is interesting, but I don’t hear it terribly often in Canada. I hear it more in French (“Amerindien“). At the root of it, it still has the “Indian” assumption. I believe that the “Ameri-” prefix was added mainly to distinguish between “East Indians” from India and those native to North America, which is a problem that shouldn’t even exist in the first place because these are very different peoples. Furthermore, while “American” can be a descriptor, it is far from a neutral one. It also has political implications for those nations that are resisting the hegemony of the American (or Canadian) governments – e.g., the Haudenosaunee (Iroquois) on the border between Ontario and New York that issue their own passports. I am unsure of the acceptability of this term, so I would proceed with caution and perhaps look at alternatives.
“What about ‘natives’ or ‘Native Americans’?“
The term “Native American” has been in use for far longer than the age of political correctness, and used to refer to anybody, including those from settler communities, that were born in North America. “Native” distinguished them from those Americans (or Canadians) from those who were born in Europe and immigrated later. It enjoys a lot of currency in the United States as an alternative to “Indian”, but it isn’t without its detractors… and of course the term “Native American” doesn’t work terribly well in Canada because while the Canadian government doesn’t have the best track record with indigenous relations, those North of the Medicine Line would probably not want to be considered American either.
“What about the word ‘squaw’? That just means ‘woman’ in an Indian language, right?”
Uh… no. Well, maybe it did at some point (and remember, etymology is not destiny), but its pronunciation has probably been corrupted by English mouths and probably sounds very different from what the word originally sounded like. “Squaw” has been a pejorative (insulting or belittling) word for over a century, and has connotations with prostitution. It has also been associated with dehumanization; racist protesters have waved signs at rallies against treaty fishing rights saying things like “Save a fish, spear a squaw.” This is not appropriate language. As far as my circle of friends and acquaintances goes, I have never heard a woman identify herself as a “squaw”.
“Papoose”, too, is a word that has been appropriated into the English language. I believe it originally came from one of the Algonquin languages on the Eastern seaboard, but it entered English vocabulary at a very early date and has likely lost a few syllables and such over time. I don’t want to enter into the “prescriptive” versus “descriptive” language debate, as this word has been in use for several centuries in English with less belittling connotations than other words. Nevertheless, I feel that it is rarely used (in North America, at least) to refer to non-indigenous children, and so is a marker of difference. Anglophones who use this term without having a firm definition of what exactly a “papoose” is: an infant? An infant wrapped in a moss bag? A toddler? In the UK, it can even be used to refer to a kind of backpack, I think. (Brits, can you clarify this for me? What springs to mind when you hear the word “papoose”?)
Even if it does not have as many dangerous or sexist connotations as the word “squaw”, and may have indeed originated from an indigenous language in the East, applying the word “papoose” to, say, Cree children in cradle boards on the plains or to Inuit children in the North or Haida infants on the North-West Coast assumes that the children in these diverse cultures and languages are essentially the same when they are not. I would avoid it unless you hear them use the term. Ask yourself: why is there a specific term for a woman or child of a separate race? Are they not also women and children?
Furthermore, if you cannot identify which”Indian language” the word came from and are not entirely certain of the word’s definition or connotations, I would hesitate to use it until you find out more information.
“But it’s traditional! Why do we have to change the names of our mountains and stuff?”
Traditional according to whom? “Squaw Peak” or “Dead Indian Valley” probably had a different name for far longer before it got given that moniker by Europeans, Euro-Americans, or Euro-Canadians.
(Also: “your” mountains? By what right do you/we claim ownership? )
Let’s take a slightly less racist case in point. The Queen Charlotte Islands off of the coast of British Columbia held that name for over a century on European maps, but its name was recently changed back to Haida Gwaii: the Islands of the Haida. The imposition of European names upon places that were already known by different names by peoples native to the area is a whole other kettle of fish that could be addressed in a different blog post.
“Francophones in Canada use ‘Autochtone.’ What’s the deal with that?”
Apparently, at its root, it simply means “the originals.” Aside from “Premières Nations“, this was the term I heard most often in my French immersion classes in elementary, junior high, and high school. It appears to be used in the names of a few organizations – e.g., l’Alliance Autochtone du Québec. Other websites appear to use it as a synonym for “indigenous”, so as a word it may not be limited to North American peoples. As an anglophone, I am not up to date on the most common terminology in use among Francophones in Canada. I would be very interested to hear from Canadian Francophones on this subject.
(Incidentally, “autochtone” does not register as a word with either the teachers nor the students of the junior high schools (collèges) I taught at in Normandy (France) in 2011/2012. In France they were still using the term “Indiens“, which I tried to disabuse them of. My British and German friends were also much less sensitive to nuances of racialized words than my Canadian and American friends of the same age. But they were willing to learn!)
“Okay, what about ‘First Nations’?”
This is the term that is in vogue in Canada right now. Unlike “Indian”, it acknowledges that, well, they were in the area first, before white settlers (which seems obvious to me, but in many ways they are treated as if they were foreigners in their own land by governments and settler communities). It also implies pluralism – “First NationS” – and, like the collective word “United StateS” it can at once demonstrate solidarity but also individuality and independence. By using the term “nation” you may also be suggesting the idea that they are potentially sovereign nations in their own right – which they had to be, to enter into treaty with Great Britain and, later, Canada, and First Nations did on multiple occasions – though in subsequent years they were treated as wards of the crown and not the independent nations they would have been.
However, as previously mentioned, this is a word for a collective that may actually not have the same goals and aspirations, and it can also be thrown around to refer to the group in sweeping generalizations – “find and replace” the word “Indian” in your digital documents and replace it with “First Nations”? Furthermore, you have to respect the fact that if some people don’t like the phrase and don’t want to be called “First Nations” then you shouldn’t call them that.
“What about tribe names?”
I would say that this is one of the better options, but with a few caveats. Acknowledging that you are speaking of a specific group of people – e.g., the Cree, the Blackfoot, the Stoney – is definitely a big step up from the general and problematic term “Indian”. However, you may notice something peculiar about the examples that I used: “Cree” comes from the French “Christineaux”, referring to the fact that some may have converted, and “Blackfoot” and “Stoney” are clearly English in origin. These names may have a lot of cultural currency in English Canada and perhaps among these peoples themselves, but they are in all likelihood names that were imposed by English colonizers. Would they choose this designation themselves? Perhaps. Again, many of these terms have been in use a lot longer among anglophones and are more recognizable to outsiders than the actual name of the First Nation (respectively, if I have this right, the Nehiyawak, the Siksiká and the Nakoda).
And even then, as our writing system was not designed with North American indigenous languages in mind, spelling is subjective. Is it Anishinaabeg, Anishinaabek, Anishinabe, or what? Chippewa or Ojibwa or Ojibwe or Ojibway? Am I referring to the name of the people, the name of their language, or a larger confederacy or alliance of smaller groups collected together, and how do these names differ?
Furthermore, some of these “tribe names” are more or less precise than others. Be aware of the history of the word and what it actually refers to. Even using the term “Algonquin” when referring to, say, the group that Samuel de Champlain met on his two week journey down the Ottawa River Valley in 1613 is a bit of a generalization. They were Anishinaabeg; “Algonquin” is a larger linguistic group which is composed of multiple nations who may or may not have enough in common with each other to be referred to be a generalized term.
Incidentally, some of our terms may not seem English or French in origin, but are not ideal either. “Eskimo” is a good/terrible example. Often spelled “Esquimaux” in the early years, it is comes to English via the French pronunciation of a word from a group of Algonquin speakers who may have been enemies of the Inuit. “Eskimo” is generally thought to mean, roughly, “Eaters of Raw Flesh.” (Or so the story goes.) Those once called the “Eskimos”, at least in Canada, prefer to be called the “Inuit”, meaning “the People” in their own language, instead of an insulting nickname from the language of their enemies. To use a European comparison, it’s as if the most commonly used name for the French in German and Dutch were a Germanized spelling of the English “Frog Eaters” or “Surrender Monkeys.” I’m sure the French would much prefer the nicer sounding, less insulting, and native term “les Français”, or even regional terms like “les Rouennais”, “les Bretons”, etc.
(Another caveat: “Eskimos” is still used as a collective term in Alaska to refer to two different groups, the Inuit and the Yupik. I would love to hear from people who are up to date on the views of that word in Alaska! Nevertheless, “Eskimo” is not considered an acceptable term in Canada.)
Even the term “tribe” has fallen out of favour, possibly because of “primitive” anthropological connotations. I believe “nation”, “band”, and other words are preferred to “tribe” or “tribal” now. I welcome any further clarification on this subject!
“Well, what can I call them?!”
Thank you for asking this question. The moral of this story is don’t assume. Be conscious of your word choices and think critically about them. If you are not sure, ask the group affected what they would prefer. You want a say in how people know you and your people – why would you assume that First Nations would feel otherwise? As always, I welcome comments and questions (always in a respectful manner).
Daniel Francis, The Imaginary Indian: The Image of the Indian in Canadian Culture (Vancouver, B.C.: Arsenal Pulp Press, Inc., 1992): an excellent history of how the stereotypical image of the “Indian” formed in popular culture.
Thomas King, The Inconvenient Indian: A Curious Account of Native People in North America (Random House; Doubleday Canada, 2012): a fascinating recent work on the subject of relations between the governments of Great Britain, America, and Canada and the indigenous peoples of North America throughout the past centuries.
Paige Raibmon, Authentic Indians: Episodes of Encounter from the Late-Nineteenth-Century Northwest Coast (Durham and London: Duke University Press, 2005): the author tackles very thorny questions of what people mean when they evaluate the “authenticity” of indigenous culture and just how damaging ideas of “authenticity” can be.
I can already tell that this post is going to be longer than I intended it to be. Bear with me, because it is important.
These past two days, I have been attending and volunteering at the Champlain on the Anishinabe Aki: Histories and Memories of an Encounter colloquium at Carleton University. This conference blew me away, particularly because of the strong First Nation – Anishinaabeg – presence. We began each day with smudging ceremonies, prayer, and singing from elders and youths, and frequently the Anishinaabeg got in the final word in the panels and audience questions as well. Conference organizers and participants acknowledged and thanked the Anishinaabeg for welcoming them onto unsurrendered Anishinaabeg land. They were not sidelined as is so often seen in academic conferences. The panels also had a good balance of English and French speakers, and the interpretive services available for all participants that needed them – panelists and audience members – was phenomenal, promoting a wonderful amount of dialogue between many groups from what is now Canada as well as France.
The theme of the conference was to be along the Champlain commemorations and historical encounters with the Anishinaabeg people, but the panels discussions did not linger as much as expected on the man that was Champlain and the celebratory commemorations that have been occurring to mark the 400th anniversary of his short (two week?) visit to the Ottawa River valley region. When they did, the speakers generally brought critical reflection to their panels. The standard narratives of positive, superficial encounters between Champlain, Tesouat (the “Indians” have names!) that are so often presented in official commemorations were questioned, and the negative effects of such stories was discussed; by celebrating Champlain’s historical journey and the supposed arrival of 400 years of francophonie in the Ottawa region that resulted, the long histories of First Nation persecution in the region are marginalized and glossed over.
One image dominated the conference and was discussed on multiple occasions: that of the famous Samuel de Champlain statue on Nepean Point, behind the National Art Gallery in Ottawa. The statue has been criticized for being an inaccurate representation of the physical likeness of Champlain, and also because he is apparently holding his astrolabe upside down (perhaps to reinforce the image of a cross being held aloft). Many have also insisted that the artifact known as “Champlain’s astrolabe” – which served as a model for the one that the statue holds – may not have been Champlain’s astrolabe after all.
Now, this “heroic” figure isn’t out of step with the style of other similar nationalistic statues coming out of the nineteenth and early twentieth centuries. The work is problematic in many ways, but the most infamous is that it wasn’t always alone on that spot. On the base on the left hand side is a small platform where a statue of an anonymous “Kneeling Indian Tracker” statue (this year renamed “Kitchi Zibi Omàmìwininì“) stood from 1918 until relatively recently. You can see a photograph here on Jeff Thomas’ website. Whole essays – maybe whole master’s or doctor’s theses – have or can be written about this subject. Long story short, the statue was deemed offensive – kneeling at the feet of Champlain in a subservient position and in stereotypical dress – and was removed.
…And moved to Major’s Hill Park. Which, if you know Ottawa, is actually within sight of Nepean Point, where the Champlain statue still stands, less than 350 metres away. (Here are walking directions, courtesy of Google Maps.) I ran into Jeff Thomas, an urban Mohawk and famed photographer, at Nepean Point this summer where he was working on a photographic project which you can read more about here. I asked him what he thought of the statue being moved. He doesn’t like that the work is now so hidden, and that the figure now looks like he is kneeling before parliament. Incidentally, the figure’s turned head is also gazing back -longingly? – at Champlain or his original post. I can also tell you personally that the statue is hidden in some tall grass behind a washroom building. It’s definitely out of the way. Out of sight, out of mind. As reiterated at several points during the conference, including by Thomas himself, who was a panelist: you can’t just erase history.
Now, as a part of the 400th anniversary celebrations of Champlain’s trip to the Outaouais region, the National Capital Commission is to do three light shows at the Champlain statue, called “Plain-Chant“, starting last night. There is a huge ring of lights surrounding the monument.
But we didn’t go to Nepean Point. Instead, a bunch of us went to the counter light show at Major’s Hill Park, where the Indian Scout would have remained alone, in the dark, unacknowledged. Some local Anishinabeg people had organized an impromptu counter light show in protest. They festooned the scout with glow sticks (and glow stick bracelets!), broke out the flash lights and bicycle headlights, put on some electric powwow music by A Tribe Called Red, and danced.
And it was epic. It was also much more exciting than the “official” light show, which seemed to make Champlain look like the second coming of Christ, all to loud almost futuristic music (from what we could hear from down below). The lights on Nepean Point also looked garish and frankly like nothing more than a flying saucer. Reliable sources who attended the official presentation reported that there was little to no historical content in that propaganda show – and no acknowledgement of the contribution of the Anishinabeg to Champlain’s few achievements in the region and of course no mention of the fact that that monument used to have a second statue.
I caught a quick view of the Champlain monument as we walked away.
Anishinabe Aki means “Anishinabe Land”. The land upon which Ottawa, Canada’s capital, now sits, was not surrendered to the Canadian government. Land claims are ongoing.
Champlain on the Anishinabe Aki Colloquium blog and program with titles of panels and the contact information for presenters and organizers. Audio recordings of the panels (save those with sensitive cultural information that we were requested not to record) and a video recording of the keynote speakers will be uploaded online soon.